Philosophy as Fiction: Self, Deception, and Knowledge in Proust Joshua Landy Philosophy as Fiction Self Deception and Knowledge in Proust Philosophy as Fiction seeks to account for the peculiar power of philosophical literature by taking as its case study the paradigmatic generic hybrid of the twentieth century Marcel Proust s In Searc
  • Title: Philosophy as Fiction: Self, Deception, and Knowledge in Proust
  • Author: Joshua Landy
  • ISBN: 9780195389357
  • Page: 205
  • Format: Paperback
Philosophy as Fiction: Self, Deception, and Knowledge in Proust Joshua LandyPhilosophy as Fiction seeks to account for the peculiar power of philosophical literature by taking as its case study the paradigmatic generic hybrid of the twentieth century, Marcel Proust s In Search of Lost Time At once philosophical in that it presents claims, and even deploys arguments concerning such traditionally philosophical issues as knowledge, self deception,Philosophy as Fiction seeks to account for the peculiar power of philosophical literature by taking as its case study the paradigmatic generic hybrid of the twentieth century, Marcel Proust s In Search of Lost Time At once philosophical in that it presents claims, and even deploys arguments concerning such traditionally philosophical issues as knowledge, self deception, selfhood, love, friendship, and art and literary, in that its situations are imaginary and its stylization inescapably prominent, Proust s novel presents us with a conundrum How should it be read Can the two discursive structures co exist, or must philosophy inevitably undermine literature by sapping the narrative of its vitality and literature undermine philosophy by placing its claims in the mouth of an often unreliable narrator In the case of Proust at least, the result is greater than the sum of its parts Not only can a coherent, distinctive philosophical system be extracted from the Recherche, once the narrator s periodic waywardness is taken into account not only does a powerfully original style pervade its every nook, overtly reinforcing some theories and covertly exemplifying others but aspects of the philosophy also serve literary ends, contributing to character than to conceptual framework What is , aspects of the aesthetics serve philosophical ends, enabling a reader to engage in an active manner with an alternative art of living Unlike the essay Proust might have written, his novel grants us the opportunity to use it as a practice ground for cooperation among our faculties, for the careful sifting of memories, for the complex procedures involved in self fashioning, and for the related art of self deception It is only because the narrator s insights do not always add up a weakness, so long as one treats the novel as a straightforward treatise that it can produce its training effect, a feature that turns out to be its ultimate strength.
Philosophy as Fiction: Self, Deception, and Knowledge in Proust Joshua Landy

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One Reply to “Philosophy as Fiction: Self, Deception, and Knowledge in Proust”

  1. Talk, talk, talk,talk An occasional flash More talk Caught him our in a goof up at least once Figure a reader can figure out what they get from Proust as readily as the experts but interesting to explore theories and Landy does one thing VERY well he quotes many of the experts analysis of Proust at length and that was the most interesting thing about it comparing his take and mine to the others.

  2. The work is a little flawed, people almost refuse to mention There are some typographical errors alongside the brilliance of the Coda, which studies each sentence Philosophically, its understanding is weaker than is made out but always sound Nietzsche is used as a prop to show how Proust outdoes him, never analyzed Nevertheless, the confidence in speaking of In Search of Lost Time is inspiring, the writing fantastic, the project very important.The book was a good friend will travel with me, cert [...]

  3. Great analysis of Proust, by way of Nietzsche, no less And nice analysis of a sample sentence from the novel.

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